As described in the previous related article here, in 2005 Ranchor Prime was introduced to the celebrated British composer Sir John Tavener, who was developing an ambitious opera based on the life of Krishna.
Their discussions soon centred on the emotional heart of the opera: the love duet between Radha and Krishna. When Tavener asked for a mantra, Ranchor suggested the Hare Krishna mantra, describing it as a divine exchange of love between Radha and Krishna. Tavener immediately recognised its power and incorporated it into the composition.
Months later, Ranchor returned to find the completed score of Krishna Lila: A Mystical Pantomime spread across Tavener’s study. What began as a conversation about sacred sound had become the emotional core of a major work—one that Tavener later described as containing “the most ecstatic music I have ever written.”
That vision now continues through the 2026 world première of Love, Devotion and the Cosmos: Krishna’s Eternal Dance.
(all images from the performance in this article are attributed to Grange Park Opera House)
A World Première
This rare and ambitious production, inspired by the divine presence of Krishna, blends dance, ritualised tableaux, and an ethereal sonic landscape. A distinctive feature is the use of eight flutes (including four alto flutes), forming what has been described as a “halo” of sound around the divine figure of Krishna.
Opera director Sir David Pountney and acclaimed choreographer Shobana Jeyasingh will further develop the work for Houston Grand Opera in autumn 2027.
Audiences are invited to experience the timeless pastimes of Krishna brought vividly to the operatic stage in this world première.
Opening Night Reflections
A recent opening night performance of Tavener’s Krishna production at Grange Park, held on Thursday 3 June, was warmly received.
Early reactions and press commentary included:
- “A compelling exploration of spirituality, love and the cosmos.” — London Unattached
- “A startlingly original piece… a fitting final tribute to a maverick composer.” — The Telegraph
- “A bold and intriguing revival worth experiencing.” — The Times
- “Powerful storytelling, exquisite music and a captivating theatrical spectacle.” — London Unattached
(below) Devotees attendees included Visakha Devi, Ranchor Prime, Rohininandan, and Saksi-Gopal prabhus—disciples of Srila Prabhupada—who were present to witness the performance.
(below) A photograph captured Ranchor Prime alongside Sir David Pountney (Director), Mark Shannahan (Conductor), and members of the cast, marking the occasion as both artistic and devotional in significance.
